“…not-to-be-missed World Premiere of the immersive and intimate art performance from Ava Lee Scott”

“It comes down to a longing for human contact…

…Today, everything is dehumanized by technology. We miss the intimacy of the Gilded Age — a handwritten letter, flowers at the door, giving a lock of hair, looking into someone’s eyes, feeling a human touch. There is a void today, and people want connections. We want storytelling and poetry in our lives.”

She has a gift. She IS a gift, and one that hundreds and hundreds of people have been blessed to open and be opened by.”

I was absolutely floored by Ava Lee Scott’s work in “Home of Enchantments.” It’s a one-on-one experience where Scott plays a character named Belle, a spiritually gifted yet troubled individual who calls upon you to help her through an especially dark, trying situation. It’s an extensive tale that requires a powerhouse performance from Scott that not only hits the beats of the story crafted, but also comes with interactive emotional elements that feel deeply personal. It’s a beautiful mix of making the participant feel vulnerable and on edge while also sending you on your way with a surprisingly full heart. (And the fact that Scott conducted one of these shows after the next at Overlook is absolutely astounding.)”

Saunder Gusinow

Barbed Wire

“Creator Ava Lee Scott is exceedingly inventive; she’s taken the things most bothersome about immersive theatre and banished them from her work.”

Overlook 2019: Exploring The Immersive Track (A NoPro Adventure)

June 20, 2019

NO PROSCENIUM

The Overlook 2019 Immersive Creator Video Series (Part 1): Ava Lee Scott

June 20, 2019

NO PROSCENIUM

The Best of The Overlook Film Festival 2019

June 4, 2019

COLLIDER

Exclusive: The Overlook Film Festival has also announced its entire 41-film lineup

April 26, 2019

IndieWire

The YEAR OF POE, a global collaboration mixing storytelling & emergent technology

February 3, 2019

Medium

Ava Lee Scott: Is there a role for tech in building communities?

December 19, 2018

Interview with Microsoft

NON-PROFIT